|   | 
		
		From 
		the Journal of Captain King, Cook's Voyages, March 1779, three months 
		after the death of Captain Cook: 
		 
		 "The surf, which breaks on the coast round the bay, extends to the 
		distance of about one hundred fifty yards from the shore, within which 
		space, the surges of the sea, accumulating from the shallowness of the 
		water, are dashed against the beach with prodigious violence. Whenever, 
		from stormy weather, or any extraordinary swell at sea, the impetuosity 
		of the surf is increased to its utmost heights, they choose that time 
		for this amusement: twenty or thirty of the natives, taking each a long 
		narrow board, rounded at the ends, set out together from the shore. The 
		first wave they meet, they plunge under, and suffering it to roll over 
		them, rise again beyond it, and make the best of their way, by swimming, 
		out into the sea. The second wave is encountered in the same manner with 
		the first; the great difficulty consisting in seizing the proper moment 
		of diving under it, which, if missed, the person is caught by the surf, 
		and driven back again with great violence; and all his dexterity is then 
		required to prevent himself from being dashed against the rocks. As soon 
		as they have gained, by these repeated efforts, the smooth water beyond 
		the surf, they lay themselves at length on their board, and prepare for 
		their return. As the surf consists of a number of waves, of which every 
		third is remarked to be always much larger than the others, and to flow 
		higher on the shore, the rest breaking in the intermediate space, their 
		first object is to place themselves on the summit of the largest surge, 
		by which they are driven along with amazing rapidity toward the shore. 
		If by mistake they should place themselves on one of the smaller waves, 
		which breaks before they reach the land, or should not be able to keep 
		their plank in a proper direction on the top of the swell, they are left 
		exposed to the fury of the next, and, to avoid it, are obliged again to 
		dive, and regain the place from which they set out. Those who succeed in 
		their object of reaching the shore, have still the greatest danger to 
		encounter. The coast being guarded by a chain of rocks, with, here and 
		there, a small opening between them, they are obliged to steer their 
		board through one of these, or, in case of failure, to quit it, before 
		they reach the rocks, and, plunging under the wave, make the best of 
		their way back again. This is reckoned very disgraceful, and is also 
		attended with the loss of the board, which I have often seen, with great 
		terror, dashed to pieces, at the very moment the islander quitted it. 
		The boldness and address, with which we saw them perform these difficult 
		and dangerous manoeuvres, was altogether astonishing, and is scarcely to 
		be credited."  
		 
		Captain King's journal entry is the first description of he'e nalu, the 
		Hawaiian word for surfing, ever recorded by Western man. Since there was 
		no written language at this time in Hawaii, King's journal entry serves 
		as man's earliest written account of this Hawaiian sport. Not only is 
		the passage humorous, it also portrays how foreign something like 
		surfing must have appeared at first sight to King and his men, 
		especially when most European sailors of the day could not swim. Other 
		travelers from the West who followed Captain Cook's arrival to Hawaii 
		had a difficult time comprehending what the Hawaiians were actually 
		doing in the surf. Early print-block engravings that began appearing 
		back in Europe show an often skewed perception of the sport. 
		 
		 The 
		ancient Hawaiians, however, left us more accurate evidence of their 
		sport. Petroglyphs of surfers, carved into the lava-rock landscape, and 
		chants that tell the stories of great surfing feats, carried a symbolic 
		lore throughout the generations. Some of these chants date as far back 
		as 1500 A.D., which leads us to believe that surfing may have begun long 
		before this time in the Polynesian culture. What we do know about the 
		origin of surfing in Hawaii is that it was part of the Kapu system of 
		laws, which held Hawaiian royalty above the commoners in the kingdom. 
		Chiefs used surfing and other Hawaiian sports as competition to maintain 
		their strength, agility and command over their people. 
		 
		The Kapu system also determined how, why and with what materials 
		surfboards were to be made. The type of wood used in making a board 
		depended on the future rider's status in society. Class distinction in 
		old Hawaii was as apparent in the ownership of surfboards as it was in 
		all other aspects of the culture. If shaping the board for the alii or 
		ruling class, a lengthy surfboard between 14 and 16 feet long was 
		superiorly crafted using premium wood. Hawaiians often made this larger 
		board, called an olo, with the light and more buoyant wood from the 
		wiliwili tree. Because of their size, these boards could weigh up to 175 
		pounds. The other board, called an alai, was normally intended for the 
		commoners and was made smaller, 10 to 12 feet, with a heavier and denser 
		wood, koa. After the craftsmen selected the wood to be used, they prayed 
		and placed a ceremonial fish, kumu, in a hole near the tree's roots. 
		Only after this ritual was completed could the tree be cut down. They 
		then hauled the tree away and chipped and shaped it to size with a bone 
		or stone adze. When they achieved the general shape and size of the 
		board, they took it to the halau, or canoe house, near the beach for the 
		finishing touches. With pohaku puna (granulated coral) or oahi (rough 
		stone), craftsmen would remove the adze marks on the board's surface. 
		After the board had been sufficiently planed, they applied a black 
		finish to its surface with the root of the ti plant, hili (pounded bark) 
		or the stain from banana buds. Sometimes they acquired the dark stain by 
		rubbing the soot from burned kukui nuts into the wood. Once this black 
		stain had dried, the board's surface was treated with kukui oil, giving 
		it a glossy finish. When the surfboard was finished, its creators 
		dedicated it before its first voyage into the sea. After each use, it 
		was habitually treated with coconut oil and wrapped in tapa cloth to 
		preserve and protect the wood. Through all this laboring detail, the 
		surfboard became a valuable and revered part of Hawaiian culture.  
		 
		Surfing rituals and the sport itself continued in the Kapu system until 
		missionaries from New England began arriving in 1820. The missionaries 
		believed surfing and other Hawaiian sports to be hedonistic acts and a 
		waste of time. They adamantly preached against the sports' existence in 
		Hawaii. By 1890, surfing in Hawaii was nearly extinct, with the sport 
		practiced in only a few places. The rapidly growing agricultural empire 
		coming into place, coupled with the immigration of foreigners, also 
		contributed to the decline of surfing, along with many other sacred 
		aspects of the Polynesian culture. If not for the dedication of a few 
		Hawaiian kings like David Kalakau, an advocate of all Hawaiian sports, 
		surfing may not have survived to see the 20th century.  
		 
		In 1905, a teenager named Duke Kahanamoku and his friends began to 
		gather under a hau (lowland) tree at Waikiki beach. Duke and his 
		friends, who spent their days surfing, later created their own surfing 
		club, Hui Nalu, or "The Club of the Waves." By this time, the 
		missionaries' influence over the island had begun to decline, freeing up 
		an avenue for the reintroduction of surfing in Hawaii. Duke and his 
		friends later became known as the famous "Beach Boys of Waikiki" and are 
		credited with the rebirth of surfing in Hawaii. Another individual who 
		played an important part in the revitalization of surfing in Hawaii was 
		also the first to bring the sport to California. In 1907, California 
		land developer Henry Huntington asked Irish Hawaiian George Freeth to 
		give a surfing demonstration at the opening of the Redondo-Los Angeles 
		railroad at Redondo beach. Freeth was also the first person to create a 
		shorter surfboard by cutting the large 16-foot design in half. His 
		introduction of surfing to the spectators on the beaches of California 
		ignited a revolution in both surfboard design and wave-riding 
		techniques. The California shores soon became grounds for surfing 
		expansion and innovation. Over the following years, the freedom to 
		experiment in size, weight and shape, along with the introduction of 
		fins and styrofoam, became popular topics for surfers looking to equip 
		themselves for the larger and more challenging surf in places such as 
		the perilous North Shore of Oahu during the winter months. The gentle 
		waves found at Waikiki beach were perfect for the promotion of surfing, 
		but it was the lure of giant waves that prompted the real dares for 
		surfers looking to put it all on the line. 
		 
		 By 
		1955, the attraction of the North Shore's swells had brought on a 
		migration of surfers from California in search of the ultimate ride down 
		some of the world's biggest waves. Perhaps the most famous of these big 
		wave breaks can be found at Oahu's Walmea Bay. When the winter swells 
		hit at Waimea it is not uncommon to see waves climb to nearly 25 feet in 
		height. Surfer Greg Ambrose, in his book Surfer's Guide to Hawaii, 
		writes this about Waimea: "When surfing Waimea it is essential to have 
		the proper crazed attitude that implies a certain reckless disregard for 
		personal safety. If you paddle out thinking you are going to get hurt, 
		you will. If you think you can't make the drop, you won't. If you begin 
		to wonder what in the world you're doing out among those menacing waves, 
		it's time to be thankful you're still alive and head for the beach." It 
		was this kind of thrill seeking and addiction to big wave riding that 
		revolutionized the sport of surfing. | 
		  |